Showing posts with label Lowell and Behold. Show all posts
Showing posts with label Lowell and Behold. Show all posts
Seth Bailin, a student at UMASS Lowell, and a station member of WUML, is one of the masterminds behind Lowell and Behold. He founded Nice Bass Productions, who partner with Audio Park Productions to make Lowell and Behold Possible. Following is an all-exclusive interview with him about the process, and creation of the upcoming release of Lowell and Behold Volume 2.


Explain Nice Bass Productions. How did it begin, and what are your goals for it?

I record a lot of music, and this is the easiest way to organize it. I first started recording camp songs on brother’s computer, then I borrowed a live PA and recorded my high school punk band’s demo with that. Now, anything that I hit the red record button on, from school projects to local band albums to video projects, it becomes a Nice Bass Production. Most of my media is on www.nicebassproductions.com, you can watch videos and stream entire albums!
In terms of goals, I want to keep recording good music, collaborate with friends, and keep my website up to date.

How was the idea of Lowell and Behold conceived?

I bought a pair of Vans shoes at Bob’s when I was in middle school, and right as I was leaving the store, the clerk said “oh yeah, I’m supposed to give you this... It comes with every pair of Vans.” It was an OFF THE WALL SAMPLER disc featuring a bunch of Warped Tour bands like Dropkick Murphy’s, Bouncing Souls, Refused, and the Voodoo Glow Skulls. I fell in love with punk music and compilation CDs from then on out, buying every Punk-O-Rama, Fat Music, and Hopeless compilation i could find.
Fast forward to 2008, when Nick Congelosi and I lived together. I was playing in Trip Fisk and he was our manager, so we were talking a lot about local music. We noticed how many awesome bands there were, and how perfect it would be to make a compilation. I felt like we had to make one before someone else did. So we wrote up a mission statement and some invitations and sent them out to our friends, basically saying “give us your music and we’ll put you on a comp. If you don’t have recordings, we’ll record you.” So we got all the submissions, and I recorded Short Fuse Burning, Fantastic Planet, and Big Daddy in our living room. Then it came out, got great feedback, and we made another one! Volume 2 is twice as big: two CDs and 30 bands!

Explain the collaboration between Nice Bass Productions and Audio Park Productions

Audio Park Productions is the name Nick chose to represent his work with live production and other music business related things. So the Nice Bass/Audio Park collaboration really just means a Seth Bailin and Nick Congelosi collaboration. We both worked really hard to create these compilations, and got friends Jason Gibbs and Brett Fermeglia to hop on board and help us with the 2nd volume. I work a lot with the recording side and the musical direction, whereas Nick, Brett, and Jason work on obtaining sponsorships and organizing the live aspect of things. It works really well.

How do you believe that Lowell and Behold contributes to the betterment of Lowell as a community?

We really got to see how it all effects the community during the compilation release party in 2008. We had 12 bands perform in 2 nights, and not one band went over their time limit! There was so much respect for each other, between acoustic artists, metal bands, funk groups, and also the music fans. There was really no separation between genre, actually. Everyone was enjoying the bands for the music they made, not the style of music they made. Also, it got some unknown artists the recognition they deserve. Plus, the recipient of the scholarship award gets a check at the end of this semester for $1,750 to help him through college.

Has the idea been well received by the community?

Yeah! We’ve been selling hundreds of copies of the first volume for the past year. Plus, Lowell High School is really gracious that we’re helping their graduates succeed. But this idea of “Lowell & Behold” extends beyond a CD and beyond the scholarship. It’s about supporting our friends and the music they make. I think bands from Lowell have more soul than any other place in the world. So any well-attended show in Lowell shows that this idea is wide spread. And we’ve been seeing a lot more local shows pop up in the past year. Let’s keep it going.

Where do you foresee Lowell and Behold heading in the future?

Oh man, I don’t even know. I want it to live on, but it shouldn’t be forced. The worst thing that could happen would be to feel obligated to put out a compilation when the music isn’t abundant. The best thing that could happen would be to see this city overflow with music and have more people express interest in helping the cause. Then it will live on naturally. It would be great to see a Lowell & Behold vol. 3.

Lowell and Behold showcase 1: Gemstones, Lowell MA Friday 12/11
Lowell and Behold pre-show: Brew'd Awakening, Lowell MA Saturday 12/12
Lowell and Behold showcase 2: 119 Gallery, Lowell MA Saturday 12/12 (PM)

For exact times/bands playing please click here


Herald coverage here.


Onslo are musical outlaws that seem to detach from any category one tries to put them in. No matter how detached their art rock, they seem to invoke moods rather than songs. "wall of sound" or "esoteric bass line" or perhaps "extremely fucking spastic-THEN STOP....NOW GO" rather than "Alternative Rock". Most of the stuff comes off somewhere like melodic noisecore, but with electro jabs and bass walks taking off in all sorts of different directions. Bass-Guitar duo Aaron Kotilainen and Ethan Hurwitz offer up the strangest combination of styles. On drums, the blitzkrieg in Chris Floyd, comes a guy who can round out a power trio and play like mad man. A cop out answer might be "Sonic Youth, produced by Steve Albini at Fort Thunder", but I sure won't say that.


From the bowels of Mill City comes a group of garbage rock superheroes, the Sinbusters. Already written about in our "Local Spotlight" series, the Sinbusters play an ultra filthy type of lo-fi garage rock guaranteed to bring on sweaty convulsions, or some sort of sublime freak out only documented in books. Combining the perfect amount of filth, aggressiveness, and sheer oddness, the Sinbusters are on the forefront of Lowell's up and coming garbage rock movement. Please do yourself a favor and check them out immediately! Songs such as "Do You Like To Party?" or "Generation Locust" will take you straight into some sort of frightening yet wonderful garage you sat in throughout high school... except this time, you've smoked too much salvia.

Listen to the Sinbusters HERE.
Lowell & Behold's showcase will happen on December 11th and 12th!

Stay tuned to WUML and our blog for upcoming coverage on the event!


Our next featured artist on the Lowell and Behold Comp, which is being released the weekend of December 11th, is Coalmine Canary. Even though, one year later, they have all moved on from Lowell, they are still very much a part of the music scene here. They will be playing the December 12th date.

Coalmine Canary combines twinkly guitar riffs and layered vocals in a unique mixture that will break your heart, and lift your spirits in one fell swoop.

They recently released "The Company We Keep," an EP of reworked songs, that completely redefines their image from a noisy lo-fi band to a emotionally-driven folk group. My only complaint? It is not long enough to keep you from wanting more.
You can hear the entire thing HERE

Shawn Massak, and Jane Wiseheart are featured on vocals, Justin Demers is the guitarist and plays other assorted instrument, and Nick Stockwell is the bassist.

Make sure to catch them live, they are chock full of suprises.

More info on Lowell and Behold
The scene of Lowell could be described any number of ways. Splintered, fucked, talented, the last bastion of underground. At any rate, it's really hard to define as of yet. Many a different genre is being felt out. This is the first in what I hope to be a long series of small band features taking you through what can be expected on the compilation Lowell and Behold Vol. 2 and at the release show on the weekend of December 11th



Lets begin with post-rock. Oh My, the Moon...oh MY!...THE MOON?!...OH (my the) MOON! However you want to say it, it isn't a Shel Silverstien poem or anything like that so go nuts. And the Stars Scream Loud... (their recent bootlegy-debut) is caked with skyrocketing glam imagery which takes as much a nod from the Explosions/Godspeed/Mogwai camp as it does Phil Manzanera. Drummer Andy Goderre is just as frantic as Guitarist duo Alex Enman and Kenny Sunnerberg. Zach Tretheway's bass creates a sort of silver lining, and perfectly locks in shoegaze style. You can tell these guys write in parts to hash out a song, each one adding exactly enough cents into any given section. Good artists copy, great artists steal, and anytime you hear something you've heard it'll change to a new realization with OMTM. Supplanting pop-punk tom parts over larger-than life sweeps or industrial math over quiet guitar swells. At times, the band will reach a plateau of sound and breach into metal, sludgy dream pop, or headbanging double times and bring it back down into a soft conclusion, leaving you in some stately void which had been created.

Oh My, the Moon

Lowell and Behold


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