Patriots fall to 3-10 entering the bye week
1 week ago
Tom, the Live Sound Director, is busy booking live acts for WUML during his office hours on Monday.
Sean, Host/Engineer of Live From the Fallout Shelter is busy mixing sound for the live act, Debaser, on Monday night.
Tom running the board, spinning awesome tunes!
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Hailing from Barcelona, El Guincho's Alegranza is an awesome combination of musical styles ranging from neo-psychedelic folk, to tropicalia, to no-fi. Each track is upbeat and summery dub, with influences of early African rock and roll. It is in the same vein as Person Pitch, but relies more heavily on very full drum beats and poly rhythms than layered lo-fi hooks. This album is an all-the-way-through gem.
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In 1996 when DJ Shadow put forth one of the most important hip-hop albums ever, created entirely by samples. Five years later he and J5 spinner Cut Chemist put together the limited edition Product Placement. The two sided mixtape contains some interesting samples. However, the intense crate digging is only half the battle, the combinging and looping is very masterfully done. Side B's Motorcross Part 2 till the end of the cut is a force to be reckoned with. As is the midway "California Soul" and Union Strike. If you're a fan of the mixtape, this is one of the best.
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The dance-punk moniker is used retroactively to describe bands like ESG, Liquid Liquid, and Gang of Four. When the next big DP surge began with Echoes (#14) and its jam House of Jealous Lovers, there was much rejoicing. !!!/Out Hud, Radio 4, and The Unicorns quickly jumped on the train which would arrive in James Murphy's station by 2005. However, over at 31g there was a release of extremely diverse tastes. And although Units would jump to Palm Pictures for their full length (#19), the 31g label, headed by Swing Kids singer Justin Pearson, produced their debut EP. 4 tracks, including an early version of perhaps the most underrated song of the decade: Between Us and Them.
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My Jazz List top ten had no numbers. For that reason, I simply chose the most accessible one to put here. Although, that is not say it is still amazing. Obviously it's Mingus, and Dolphy, but the true beauty in the album is how you can dig and dig and never find a weak link...it's a perfect live album. The cohesiveness of the players and the vast song selection combine for one of the best live jazz albums ever. 1964 also presents a slice of jazz where Dolphy gave us Naima, Last Date, AND Out to Lunch and it was Mingus' most productive year. Cornell just is more circumstantial evidence.
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I can see the love/hate with Jamie Stewart. Experimental indie which you can tear your heart out to, but Xui Xui also very much new wave, but they're not throwing back. They could've been set in No-Wave NYC or Cold-Wave France, Martin Hannett could've produced them and Tony Wilson would've loved them. Knife Play is brutal, helpless, and challenging. Three years later, Fabulous Muscles is a melodic, scary, cult-ie magnum opus. Post-post-punk.
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First off, I am sorry I play drums and this is my 5th favorite album. Liars annoy some people. First they're dance-punk, then they are post-punk, then they are something else. At any rate, they are true to their name and like to jump all around a neo-no wave spectrum. Drum's Not Dead is an incredible concept album with two drummers and some of the most enduring, unique playing of the decade. Let's Not Wrestle Mount Heart Attack seemed to fly in the face of everything they had done up to that point, and from there it took us through a tribal jaunt along the boundaries of experimental post rock where only few have tread.
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When Phil Elvrium found Mools in Japan, twas a very good day. They sound just like the Smiths, only they're hard to understand. The EP's 4 tracks are chock full of intricate little perfections. The steel drum, high pitched trembling vocals, and a rhythm section which can change with the drop of the hat. You can also kind-of figure out what the songs are about without even knowing the language, you may also be inclined to sing along.
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Theater can be a little boring, but there is a feeling of anticipation sitting in front of a darkened stage and opening up your Playbill. A similar thing happens in front of your CD player with Ugly Organ queuing up and opening the liner notes. They include a cast and even stage directions. If there is a golden age of emo, this may be it's last gasp. Tim Casher and his gang, including Gretta Cohn on cello, rock out a brand of tragicomedy that is untouchable, and this album is stacked with Saddle Creek clutch hitters. Herald! Frankenstein into Butcher the Song is absolutley lovely.
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Lightning Bolt have never disappointed me. I have never said "their old stuff is better". Having listened to them since their first album, all my favorite tracks are off of Wonderful Rainbow. Be it the visual "Duel in the Deep," sprawling pestilence of "30,000 Monkeys," the beautiful tid-bits of "Hello Morning" and "Wonderful Rainbow," the Grieg-esque "2 Towers" and Mussorgsky-esque/ "Dracula Mountain," the shredding virtuosity of "Crown of Storms," or the fastest, most raucous pop song ever conceived in "Assassins," this album is amazing.
And here it is, Sound of Silver: James Murphy coming to terms with growing up. Of all the ways to embrace the fabled apocalypse we seem to be standing on the edge of, Murphy just wants to party. He is the king of DFA, the label which was founded at the beginning of a decade saturated in electro-disco-dance revival. If they arent putting out the hits, they certainly have their hand in them, be it production-wise or endorsing it. On Silver we see Murphy embodying his sound and joining the likes of Bowie, Ferry, and Eno all at once. The album is a cross section of MP3 age dance: dance-punk: "Watch the Tapes" and "Sound of Silver,"electro-soaked hits: "Get Innocuous," "North American Scum" and "Time to Get Away," the ballad "New York I Love You, But You're Bringing Me Down." and finally the epic anthems: "All My Friends," "Us v. Them," "Someone Great." These add up to different meditations on a generation of partying in its purest, most fun form.
50. ...Is a Real Boy- Say Anything
49. Return to Cookie Mountain- TV on the Radio
48. The Execution of All Things- Rilo Kiley
47. 59’ Sound- the Gaslight Anthem
46. Take off Your Pants and Jacket- Blink 182
45. Some Kind of Cadwallader- Algernon Cadwallader
44. Red-Eyed Soul- World/Inferno Friendship Society
43. The EP- Owen
42. Designing a Nervous- The Anniversary
41. Push the Button- Chemical Brothers
40. The Photo Album- Death Cab for Cutie
39. 10 Songs- I Hate Myself
38. Strawberry Jam- Animal Collective
37. Shut Up I’m Dreaming- Sunset Rubdown
36. Dead Reckoning- Small Brown Bike
35. Lift Your Skinny Fists like Antennas to Heaven- Godspeed! You Black Emperor
34. S/T- Crystal Castles
33. These are the Vistas- The Bad Plus
32. Silent Alarm- Bloc Party
31. Left and Leaving- The Weakerthans
30. The War on Erroism- NoFX
29. The Devil and God are Raging Inside of Me- Brand New
28. Chutes Too Narrow- The Shins
27. Everything Goes Numb- Streetlight Manifesto
26. Deja Entendu- Brand New
25. From a Basement on the Hill- Elliott Smith
24. You Forgot it In People- Broken Social Scene
23. Reinventing Axl Rose- Against Me!
22. Merriweather Post Pavilion- Animal Collective
21. Hidden Arithmetic- Indian Summer
20. Discovery- Daft Punk
19. How I Spent my Summer Vacation- The Bouncing Souls
18. The Sound of Silver- LCD Soundsystem
17. The Ugly Organ- Cursive
16. Post-Nothing- Japandroids
15. The Glow Pt.2- The Microphones
14. The Greatest Story Ever Told- The Lawrence Arms
13. At Home With…-Owen
12. Dear You- Jawbreaker
11. For Emma Forever Ago- Bon Iver
10. The Lemon of Pink- The Books
9. Kid A- Radiohead
8. Fuck World Trade- Leftover Crack
7. Give Up- The Postal Service
6. The Argument- Fugazi
49. Atlas Sounds- Logos (Kranky/4AD)
48. My Heart to Joy- Seasons in Verse (Topshelf)
47. Fuck Buttons- Tarot Sport (ATP Recordings)
46. Sonic Youth- The Eternal (Matador)
45. Transit- Stay Home (Run for Cover)
44. The Lawrence Arms: Buttsweat and Tears (Fat Wreck Chords)
43. Bomb the Music Industry- Scrambles (Quote Unquote/ Asian Man Records)
42. Real Estate- S/T (Woodsist)
41. The Clean- Mister Pop (Merge/ Arch Hill)
40. The Drums- The Summertime EP (Moshi Moshi/Popfrenzy)
39. The Thermals- Now We Can See (Kill Rock Stars)
38. The Loved Ones- Distractions (Fat Wreck Chords)
37. The Sidekicks: Weight of Air (Red Scare)
36. NoFX- Coaster (Fat Wreck Chords)
35. NoFX- Cokie the Clown (Fat Wreck Chords)
34. Nothington-Roads, Bridges and Ruins (BYO/Left off the Dial)
33. The Mountain Goats- The Life of the World to Come (4AD)
32. A Wilhelm Scream- S/T EP (Paper + Plastick)
31. Small Brown Bike- Composite, Volume One (No Idea Records)
30. Brand New- Daisy (Interscope)
29. No Age- Losing Feeling (Subpop)
28. Phoenix- Wolfgang Amadeus Phoenix (V2)
27. Sufjan Stevens- The BQE (Asthmatic Kitty)
26. The Pains of Being Pure at Heart- S/T (Slumberland)
25. Volcano Choir- Unmap (Jagjaguwar)
24. Title Fight- The Last Thing You Forget (Run for Cover)
23. Animal Collective- Fall Be Kind EP (Domino Records)
22.Do Make Say Think- Other Truths (Constillation)
21.Charles Spearin- The Happiness Project (Arts and Crafts)
20. Make Do and Mend- Bodies of Water EP (Panic Records)
19. Andrew Jackson Jihad- Can’t Maintain (Asian Man)
18. Polar Bear Club- Chasing Hamburg (Bridge Nine Records)
17. The Appleseed Cast- Sagramatha (The Militia Group)
16. Short Fuse Burning- Scream When You Burn (Self-Released)
15. Coalmine Canary- The Company we Keep (Polk-Records)
14. Lucero- 1372 Overton Park (Universal)
13. Algernon Cadwallader- Hot Green/Fun EP (Be Happy)
12. Matt and Kim- Grand (Fader Label)
11. Vacations- I was Bikini/Rain Afraid (Record Label)
10. Bon Iver- Blood Bank EP (Jagjaguwar)
9. Chuck Ragan- Gold Country (Side One Dummy)
8. Propaghandi- Supporting Caste (Welcoming Comittee Records)
7. Cymbals Eat Guitars- Why There are Mountains (Self-Released)
6. Old Canes- Feral Harmonic (Saddle Creek)
25. Polvo - In Prism
24. Crocodiles - Summer of Hate
23. The Big Pink - The Big Pink
22. YACHT - See Mystery Lights
21. Spectrals - Spectrals
20. Kurt Vile - Constant Hitmaker
19. Morrissey - Years of Refusal
18. Om - God is Good
17. Marked Men - Ghosts
16. Abe Vigoda - Reviver EP
15. Dirty Projectors - Bitte Orca
14. HEALTH - Get Color
13. The Field - Yesterday and Today
12. Vivian Girls - Everything Goes Wrong
11. Real Estate - Real Estate
10. Mi Ami - Watersports - Experimental rock is a term that phases itself out the more it is used. Since the 80s there is a massive influx of already-been-dones coming out. Some thieving tendencies work, others don't, but those who can reinvent the genre better...or weirder can have thier day. Mi Ami throwback and reinvent.9. Cass McCombs - Catacombs - Since 2003, Cass McCombs has been in the background of many folk out croppings, most notably Sufjan, Neutral Milk Hotel, and Beirut. Despite this, he is perhaps the most experimental album to album. 2005s PREfection on 4AD records was dripping with new wave, and on Dropping the Writ he sounded strikingly like Morrissey. Catacombs sounds like a return to more classic, extremely minimal folk like he did on A.
8. Cold Cave - Cremations - Reasons I love this album: I. Philadelphia II. Dreamy Dark Wave III. Minimalist Post Punk
7. Washed Out - Life of Leisure - For a while, Yo La Tengo's I Can Hear the Heart Beating as One has been my feel good album, now i have to make a playlist with Life of Liesure in there too. As winter rapidly approaches and I begin dreading the idea of 'layering up,' this surfy no-fi electronic album is something to listen for.
6. The Horrors - Primary Colours - Kevin Shields is a god. Loveless is one of my favorite albums, and many have tried to summit such a sonic peak before. None tastefully. However, the massive guitar lines on this album are only a fraction of the Horrors' sound. Vocally, they bring an air of Twee pop, contrasting dark daunting lyrics with an accent.
5. No Age - Losing Feeling EP - Along with #17, No Age represent a nice punk revival. Since Weirdo Rippers, they've crystallized their sound with Nouns. And the most exciting fact about the EP: they aren't changing their sound. Even Jarmusch is stoked!
4. Bear in Heaven - Beast Rest Fourth Mouth - Neo psychedelia...it's here and what will probably stay as the hip thing for a little bit. Animal Collective did it on Merriweather, but they had to change their sound. Bear in Heaven have their sound defined and this album is an experimental pop bull's eye.
3. Lightning Bolt - Earthly Delights - Having marked their territory very, very clearly, Brian and Brian continue to bring out the jams. In the Power of Milkshakes and Salad Gibson stated "were not classic rock" but Dave Auchenbach was partly right. In the realm of noise rock over which LB reigns, they are regular rock and roll, or were. Earthly Delights moves their sound over on the dial into avant-garde black metal.
2. Dan Deacon - Bromst - The party album came first, then Dan went new classical on us. Bromst was awesome and certainly one of the most anticipated albums of the year. Dan didn't compensate for the human element in his song writing, he still wrote blisteringly fast songs, but they are much more thoughtful. He's still throwing the Go Baltimore! party, just thinking about the theme, the appetizers, and the party favors a little bit more.1. Japandroids - Post-Nothing - Just two people make the sounds you hear. Once you get over that fact, you realize the songs are really damn good still. Track after track of huge lo-fi played with reckless abandon. This album has something for everyone's alt rock taste. Because the songs are stripped down and garage-y, it also seems to have an ability to stand up over time. Drummer David Prowse relies on the beat, not the fill. Brian King's guitar work, using massive amps for parts of his sound, rather than one for himself, creates rhythm and lead all at once: a grunge record as much as it is a starry eyed dreampop/shoegaze. The only minor dismay might be the song lengths, which usually end up being very non-punk in structure, but we love listening to it, and they must love playing it.
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